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of them intensely and daringly original, but all of them firmly
planted in the living tradition of yesterday. They learn from their
elders and teach their juniors--the true touchstone of an organic and
vigorous movement. What is perhaps still more significant--the level
of minor poetry is extraordinarily high, and every verse-producer is,
in varying degrees, a conscious and efficient craftsman.
The case with prose is very different. The old nineteenth century
realistic tradition is dead. It died, practically, very soon after
Chekhov. It has produced a certain amount of good, even excellent,
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